The Triumph of the Feminine Daemonic: Ari Aster’s “Hereditary” (2018)

“Horror films unleash the forces repressed by Christianity—evil and the barbarism of nature. Horror films are rituals of pagan worship. There western man obsessively confronts what Christianity has never been able to bury or explain away.”

—Camille Paglia, Sexual Personae, p.269

“The Eternal Feminine propels us onward.”—Goethe, Faust, II. V.

Whenever I approach the Crossroads of Art and Spirit, I hope to encounter newfound understanding for a given medium’s ability to express the Numinous. The effect of such an encounter on me is multidimensional—emotional, intellectual, and spiritual—and I require several days of processing before I can begin to consciously articulate the artwork’s Numinosity to others. In the case of American writer/director Ari Aster’s critically acclaimed 2018 debut feature film, Hereditary, I became hooked after my first viewing on the evening of June 8 (and dashed back to the theater for a second viewing 9 hours later) not just because the film is wonderfully Saturnian in its mood or because it courageously dares to cast an unflinching gaze at the culturally taboo subjects of the rejection of maternity, children’s deaths, and PTSD, but because it delivers a surprising whopper of an occult philosophy that showcases the Feminine Daemonic (in all Her Chinnamasta head-chopping glory, no less)!

chinnamasta

Be advised: This film review contains spoilers for Hereditary!

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