I received my copy of the John Bauer Tarot (published by Lo Scarabeo, Torino, Italy) in the mail last night and I’m opening the deck now at my office (it’s a slow morning in my Big Pharma world, LOL). John Bauer (1882-1918) was a Swedish painter and illustrator; a great deal of his work was informed by his love of his culture’s folklore, which obviously informs the artwork of this deck. (His work to me is similar to the English artist Arthur Rackham; they were contemporaries.)
The first workshop I attended at Paganicon 2019, held last month in Plymouth, Minnesota, was a workshop on Traditional Witchcraft facilitated by a young Witch named Kelden, so that I was how I came to meet him and how I came to buy on the spot two copies (one for me and one for my BFF) of the oracle deck that he and his friend and deck co-producer, fellow Trad Craft Witch and artist and illustrator, Maggie Elram, just self-published: The Traditional Witch’s Deck (2019). I’m not surprised that an oracle deck has emerged that is exclusively dedicated to Traditional Witchcraft, given how popular the magico-religious practice has become within the landscape of today’s Paganism (chiefly as an alternative to Wicca); in the charming little paperback published book that accompanies the deck, Kelden explains that his aim was to “create an oracle steeped in history and folklore” (p.58). He and Ms. Elram have done a wonderful job!
My best friend Richie was kind enough to send me a copy of this book as a Yule present. He has been a fan of Orapello and Maguire’s Down at the Crossroads Pagan podcast for several months. While I haven’t yet listened to it, I’m sure I would enjoy it because I certainly enjoyed the ideas and the shared writing style—learned but lively, not pompous nor even overly serious; and poetic, expressive of the wonder and awe Witches feel about the Nameless Art—of Christopher Orapello and Tara-Love Maguire in Besom, Stang & Sword.
I’ve been a very busy gemstone-beading bee lately: yesterday, in fact, I made 6 devotional gemstone necklaces and uploaded them to my Etsy site, Jackal Moon Designs, and one (my Green Tara devotional piece) sold within minutes of it being advertised on Facebook yesterday afternoon. Here are the remaining five.
It gives me great pleasure to announce, after several days of intensive copy editing and graphical layout, that the 48-page, full-color Winter 2018-2019 issue of Isis-Seshat journal has officially been released! With its theme of “Tending to the Ancestors,” the issue features various Polytheists’, Pagans’, and Witches’ perspectives on the importance of cultivating and maintaining ancestor veneration in their daily devotional practices, how they do it, or why they abstain. Hailing from no less than 3 different continents, this issue’s contributors reflect a world of culturally contextualized traditions, from the Heathenry/Teutonic Polytheism of Northern and Central Europe to West African and Afro-Cuban Diaspora religions. I’m so deeply thankful to the gorgeous and deeply personal original works of art, poetry, and essays that were sent to me as submissions! This issue would not have been possible without so many peoples’ support.
Happy New Year, everyone! Last night I performed my time-honored divination ritual, casting my 13-card Year-Wheel/12 Houses of the Zodiac Tarot spread to see what 2019 has in store for me month-by-month as well as filtered through the aspects of life experience denoted in the zodiacal 12 Houses of Western astrology. I carved some space and about an hour to myself amidst the revels at a friend’s house, and I think he and his two adorable Havanese dogs (sisters from the same litter) proved to be good luck charms for my reading, as I haven’t drawn such an awesome spread in a long time!