I received my copy of the John Bauer Tarot (published by Lo Scarabeo, Torino, Italy) in the mail last night and I’m opening the deck now at my office (it’s a slow morning in my Big Pharma world, LOL). John Bauer (1882-1918) was a Swedish painter and illustrator; a great deal of his work was informed by his love of his culture’s folklore, which obviously informs the artwork of this deck. (His work to me is similar to the English artist Arthur Rackham; they were contemporaries.)
The first workshop I attended at Paganicon 2019, held last month in Plymouth, Minnesota, was a workshop on Traditional Witchcraft facilitated by a young Witch named Kelden, so that I was how I came to meet him and how I came to buy on the spot two copies (one for me and one for my BFF) of the oracle deck that he and his friend and deck co-producer, fellow Trad Craft Witch and artist and illustrator, Maggie Elram, just self-published: The Traditional Witch’s Deck (2019). I’m not surprised that an oracle deck has emerged that is exclusively dedicated to Traditional Witchcraft, given how popular the magico-religious practice has become within the landscape of today’s Paganism (chiefly as an alternative to Wicca); in the charming little paperback published book that accompanies the deck, Kelden explains that his aim was to “create an oracle steeped in history and folklore” (p.58). He and Ms. Elram have done a wonderful job!
My best friend Richie was kind enough to send me a copy of this book as a Yule present. He has been a fan of Orapello and Maguire’s Down at the Crossroads Pagan podcast for several months. While I haven’t yet listened to it, I’m sure I would enjoy it because I certainly enjoyed the ideas and the shared writing style—learned but lively, not pompous nor even overly serious; and poetic, expressive of the wonder and awe Witches feel about the Nameless Art—of Christopher Orapello and Tara-Love Maguire in Besom, Stang & Sword.
I’ve been a very busy gemstone-beading bee lately: yesterday, in fact, I made 6 devotional gemstone necklaces and uploaded them to my Etsy site, Jackal Moon Designs, and one (my Green Tara devotional piece) sold within minutes of it being advertised on Facebook yesterday afternoon. Here are the remaining five.
It gives me great pleasure to announce, after several days of intensive copy editing and graphical layout, that the 48-page, full-color Winter 2018-2019 issue of Isis-Seshat journal has officially been released! With its theme of “Tending to the Ancestors,” the issue features various Polytheists’, Pagans’, and Witches’ perspectives on the importance of cultivating and maintaining ancestor veneration in their daily devotional practices, how they do it, or why they abstain. Hailing from no less than 3 different continents, this issue’s contributors reflect a world of culturally contextualized traditions, from the Heathenry/Teutonic Polytheism of Northern and Central Europe to West African and Afro-Cuban Diaspora religions. I’m so deeply thankful to the gorgeous and deeply personal original works of art, poetry, and essays that were sent to me as submissions! This issue would not have been possible without so many peoples’ support.
Happy New Year, everyone! Last night I performed my time-honored divination ritual, casting my 13-card Year-Wheel/12 Houses of the Zodiac Tarot spread to see what 2019 has in store for me month-by-month as well as filtered through the aspects of life experience denoted in the zodiacal 12 Houses of Western astrology. I carved some space and about an hour to myself amidst the revels at a friend’s house, and I think he and his two adorable Havanese dogs (sisters from the same litter) proved to be good luck charms for my reading, as I haven’t drawn such an awesome spread in a long time!
I had the pleasure of recently leading my second public Mass to La Santa Muerte; it occurred on November 2 (All Souls’ Day) at our FOI Chicago public temple space.
Happy Halloween and a blessed Samhain to all who celebrate! To celebrate this liminal time poised between the ending of summer and the start of winter (in the ancient Celtic reckoning, Samhain means “Summer’s End”), I’m running a sale on my Etsy site today through November 8 (Mitrovdan, or the traditional Serbian reckoning of the start of Winter). Get 30% off all necklaces $50 and up! No coupon code needed!
I’ve made some lovely, one-of-a-kind pieces lately, including my Italian sterling silver Pan playing His pipes! Gemstones include jadeite, moss agate, faceted tiger’s eye, and smoky quartz, and there’s even a pair of deer antler beads! IO, PAN!
Have a BOO-TI-FUL day!
TENDING TO THE ANCESTORS: A CALL FOR SUBMISSIONS FOR THE WINTER 2018-2019 ISSUE OF ISIS-SESHAT JOURNAL
Seeking Submissions for the 2018-2019 Winter Issue of Isis-Seshat Journal on the Theme of “Tending to the Ancestors, Propitiating the Dead”—Deadline: Friday, January 18, 2019
“Iba se Eggun.”
(“I pay homage to the spirits of the ancestors.”) — Start of a Yoruba prayer recited in Ifá at the outset of certain rituals
I paid a visit to my Oluwo (Godfather in Ifá) last night and we had a chance to catch up on the whirlwind of life events I’ve been experiencing since my father’s cancer diagnosis two months ago. We consulted Ifá, and the voices of my own Orí (Destiny/True Will) and my Eggun (Ancestors) resonated strongly in the oracle’s spiritual prescriptions. The restless spirits of the dead, teeming hordes of the Eggun Buruku, were also vying for my attention, a fact confirmed by my lived experience of increased spirit activity at both my home and my parents’ house, where I recently (and totally by happenstance, and during a thunderstorm, no less!) made contact with the spirits of a young woman and children that had drowned in the river marking the northernmost boundary of my parents’ property. By their clothing, they appeared to have lived during the mid-nineteenth century. The children (blond-haired fraternal twins aged about seven or eight years old), unrelated to the young woman, were lost and crying out for their parents. The sight of them made my heart ache. But I couldn’t focus on them as I quickly realized the other spirit posed actual danger.