I’m pleased to announce that after months of fielding requests from friends to make my devotionally focused Pagan and Polytheist jewelry pieces and other handmade works of art publicly accessible, I’ve decided to launch an Etsy shop: Jackal Moon Designs! Continue reading
This past Saturday at World Tree Healing, I led a workshop on “Loving and Serving ‘Dark’ Deities.” It was a well-attended workshop and for the first hour, I engaged the participants in a series of discussions based on the following prompts:
- How has staving off criticism from mainstream religions made Paganism afraid of its own shadows?
- How do you help outsiders to your tradition distinguish between “darkness” and “evil”?
- Has anyone ever had an experience of invoking Dark Deities in a group ritual context and then been castigated for invoking Them?
- How is the function of the Trickster valuable to a society? Who is devoted to Trickster Gods?
- In his Manifesto for his powerful Apocalyptic Witchcraft, Peter Grey has declared: “We call an end to the pretense of respectability.” What are your thoughts on this? What do Pagans lose by attempting to claw their way to the interfaith table, begging for scraps of acceptance from Abrahamic religions?
It was a great discussion that appeared to make two people with Abrahamic allegiances very uncomfortable, so they left after I had announced that we’d be taking a short break before our ritual to Nephthys would begin. Good riddance, I thought. I certainly didn’t want the miasma, or spiritual pollution, of their presences to spill over into my devotional ritual to my Patron Deity. The major risk of hosting a public Pagan ritual is that you never know what kind of people may show up, especially folks with overtly hostile ideologies (read: patriarchal monotheists) who attend solely to destabilize the gathering, which is why I absolutely favor doing private ceremonies in the company of fellow devotees I can vouch for.
This past Saturday evening, I had the pleasure of leading a workshop on ancient Egyptian magic at World Tree Healing bookstore and metaphysical resource center here in Chicago. Called “Hands-On Heka,” the workshop I devised featured an overview on the three types of magic, as I classify them, that we know that ancient Egyptians of all social strata practiced: funerary magic, ritual magic, and everyday (sometimes referred to as “crisis-mode”) magic. From this latter category, I devised a devotional ritual to the great goddess Sekhmet, Lady of Power, which featured a historically verified spell meant to reverse the Evil Eye. The spell involved the creation of a papyrus talisman, which we did together as a group based on a hieroglyphic prayer I created to evoke Sekhmet’s aid for spiritual protection. However, there was follow-up work for the ritual participants/workshop attendees to do once they returned to their homes: once activated, the papyrus talisman had to be “put to work” in what is arguably history’s oldest form of the Witch Bottle.
I was relieved to have recently been unfriended on Facebook by a woman who didn’t like my response to her questions in a post she’d tagged me in. This woman–let’s call her Rachel–announced that she was going to embark on a quest of “serious magic” to not merely land herself a lover, but a life partner “willing to put a ring on it.”
“So for the working I plan on doing,” Rachel wrote, “I’ve been doing some research on which goddess to call upon. I’ve narrowed my choices down to the following: Frigga, Freyja, Erzulie Freda, Astarte, and one Slavic goddess whose name I can’t pronounce. Anna, who should I go with? What do you think?”
As the Executive Editor, I’m very pleased to announce that the Autumn issue of Isis-Seshat, the quarterly journal of the worldwide Fellowship of Isis (FOI), is now available! Eighty pages–the longest issue to date–of stunningly beautiful (each issue is printed in full color on 80-lb. high-gloss paper stock) and theologically provocative essays, poetry, prayers, and original artwork from Polytheists (Kemetic devotees and others), Pagans, international FOI clergy, and U.S.-based artists delve into the subject of navigating “Dark Nights of the Soul.” Continue reading
One of the things I love to do in my spare time, especially during cold winter days when I’m feeling like a crafty domestic diva, is create ritual jewelry. I typically make necklaces out of various semiprecious gemstones beads, and these necklaces are anchored by a “statement piece” pendant. For the most part, I make these necklaces as gifts for people who are dear to me. I choose the gemstone beads carefully, thinking of the energetic properties each stone bears on its own and in combination with other stones and metals; the result is some sort of metaphysically themed piece of jewelry. Continue reading