“The Dark Side of the Early Modern Witch”: Thoughts on Robert Eggers’ Film, “The Witch”

One impulse from a vernal wood

May teach you more of man,

Of moral evil and of good,

Than all the sages can.

–William Wordsworth, “The Tables Turned” (1798), lines 21-24

I judge the effectiveness and emotional relevance of a film, as I would any other artistic medium, by how much I keep engaging in dialogue with it long after my initial experience of it has ended. Is my overall curiosity not sated, but piqued, as a result of the cinematic experience? What elements–in subject matter, theme, mood, portrayal, technical composition–prompt me to seek discussion with others? Do I find that thoughts of the film, or my visceral responses to my emotional experience of it, intrude in my waking consciousness the following day? Do I want to see/reexperience the film anytime soon?

Robert Eggers’ 2015 directorial debut of The Witch, a 92-minute genre-bending historical/horror/dark fantasy film set in seventeenth-century New England (the subtitle of the film is A New England Folk-Tale), is going to be incorporated into my Top 10 list of all-time favorite movies–right up there with Kubrick’s The Shining (which Eggers acknowledged as a conscious influence on his filmmaking process for The Witch) and The Last Unicorn. It won critical acclaim at last year’s Sundance Festival. It’s even gotten an official endorsement from the Satanic Temple! 

My Bodacious Beau™ and I saw it last night, and when (mostly fellow Pagan) Facebook friends of mine saw my movie theater check-in post, they naturally wanted a succinct review from me afterwards. “Delightfully unnerving” was my two-word answer. And yes, it felt so good to come home to so many familiars afterwards! (Too bad I don’t have a black goat…not yet, at any rate!) Continue reading

“The Divine Feminine Propels Us Onward”: The Legacy of 19th-Century Romanticism for Today’s Spiritual Seekers

Editorial Note: This essay was first published in Pantheon, the official journal of Chicago’s Life Force Arts Center, a gallery and performance space dedicated to literary, performing, and visual arts rooted in spiritual expression. I retain all copyrights.


 

“The Divine Feminine Propels Us Onward”:

The Legacy of 19th-Century Romanticism for Today’s Spiritual Seekers

How comfortable are you in describing yourself as a creator? Do you identify as one? Why or why not? Is that term solely reserved for artists? Or parents? Or the holders of patents? Whether we’re aware of it or not, we’re breathing new worlds into being on a regular basis. Performing on open mic night. Whipping up an amazing quiche, baked from scratch. Delivering a solid presentation that ends up landing new accounts for your business. Creation is our divine mandate; it’s something we’re all called to do. It’s our divine birthright as creatures made in the image of God/dess/Spirit/Ultimate Reality—whatever you want to call It, that ineffable Source of our truest, highest selves. Continue reading

A Night with Starhawk and the “Goddesses of the End Times”

By way of editorial comment: I wrote this essay the day after the event happened back in November 2006. I tried getting it published in Sage Woman and Circle Magazine at the time but never received word. Well, now that I’m in the blogosphere, I can release it into the world–Namaste, Bitches--as was my intent for all Pagans who appreciate Starhawk’s work in the world to enjoy.

It came unbidden and electrifying, the chance to see in person the woman who altered the course of my spiritual unfolding in this lifetime when I was but a fifteen-year-old seeker: Starhawk. Continue reading