The first workshop I attended at Paganicon 2019, held last month in Plymouth, Minnesota, was a workshop on Traditional Witchcraft facilitated by a young Witch named Kelden, so that I was how I came to meet him and how I came to buy on the spot two copies (one for me and one for my BFF) of the oracle deck that he and his friend and deck co-producer, fellow Trad Craft Witch and artist and illustrator, Maggie Elram, just self-published: The Traditional Witch’s Deck (2019). I’m not surprised that an oracle deck has emerged that is exclusively dedicated to Traditional Witchcraft, given how popular the magico-religious practice has become within the landscape of today’s Paganism (chiefly as an alternative to Wicca); in the charming little paperback published book that accompanies the deck, Kelden explains that his aim was to “create an oracle steeped in history and folklore” (p.58). He and Ms. Elram have done a wonderful job!
Whereas Part 1 in this two-part assessment of my recent Paganicon 2019 experiences detailed the workshops I attended, the objective of Part 2 is to survey the rituals I actively participated in during the three days of the festival gathering: Friday, March 22 through Sunday, March 24, 2019. Continue reading
Have you ever had the wonderful opportunity to travel some place totally new, by yourself, for the express purpose of recharging yourself at every level–physically, mentally, emotionally, but especially spiritually? That’s precisely the kind of restorative experience I recently had at my first-ever Paganicon, which took place from March 22-24, 2019, just outside of Minneapolis. Continue reading
Alone, alone, all, all alone,
Alone on a wide wide Sea!
And Christ would take no pity on
My soul in agony.
—Samuel Taylor Coleridge, “The Rime of the Ancyent Marinere, In Seven Parts” (1798), Part IV, lines 224-227
In my last post, I wrote about the beauty and the power of prayer and how it forms the core of my contemporary Polytheist devotional practice. But I certainly have had my challenges over the years in sustaining my practice, like any other religious person committed to devotional piety. Whether the span lasted for weeks or even months on end, the spiritual crisis known as the “dark nights of the soul,” a term first coined by the sixteenth-century Spanish Counter-Reformation mystic known as St. John of the Cross, was a dreadful phenomenon I’ve endured many times. Continue reading
As long-time readers of this blog will know by now, I did not enter into Polytheistic Paganism with a seething hatred for the Christian denomination (Eastern Orthodoxy) in which I’d been raised.
One of the origins of our modern Mother’s Day, Matronalia was celebrated in ancient Rome as the New Year and as the time for matrons to perform rites to Juno Lucina at Her temple on the Esquiline Hill. This festival was also known as “the women’s Saturnalia.”
My best friend Richie was kind enough to send me a copy of this book as a Yule present. He has been a fan of Orapello and Maguire’s Down at the Crossroads Pagan podcast for several months. While I haven’t yet listened to it, I’m sure I would enjoy it because I certainly enjoyed the ideas and the shared writing style—learned but lively, not pompous nor even overly serious; and poetic, expressive of the wonder and awe Witches feel about the Nameless Art—of Christopher Orapello and Tara-Love Maguire in Besom, Stang & Sword.