In this era of social distancing amidst this pernicious COVID-19 global pandemic in which we find ourselves, focus on how your solitary spiritual practices can not just grow, but thrive. One helpful method of personal spiritual battery replenishment takes its cue from the swelling Traditional Witchcraft current in contemporary Paganism, whose tenets include, among other things, establishing a dynamic relationship with the spirits of your local landscape.
It isn’t often that celebrated Reclaiming and Feri Tradition Witch, published author, and artist Gede Parma, who also uses the name Fio Aengus Santika, comes to the United States, but when they* do, it’s always a reason to celebrate! I have had the pleasure of sharing heart-centric ritual space in Traditional Witchcraft contexts with Fio during their last two Chicago visits in 2014 and 2017, respectively. They are a highly dynamic ritual facilitator and conductor of spirits. I’ve always left their workshops and delightful time spent socializing feeling elevated and transformed for the better afterwards.
The first workshop I attended at Paganicon 2019, held last month in Plymouth, Minnesota, was a workshop on Traditional Witchcraft facilitated by a young Witch named Kelden, so that I was how I came to meet him and how I came to buy on the spot two copies (one for me and one for my BFF) of the oracle deck that he and his friend and deck co-producer, fellow Trad Craft Witch and artist and illustrator, Maggie Elram, just self-published: The Traditional Witch’s Deck (2019). I’m not surprised that an oracle deck has emerged that is exclusively dedicated to Traditional Witchcraft, given how popular the magico-religious practice has become within the landscape of today’s Paganism (chiefly as an alternative to Wicca); in the charming little paperback published book that accompanies the deck, Kelden explains that his aim was to “create an oracle steeped in history and folklore” (p.58). He and Ms. Elram have done a wonderful job!
My best friend Richie was kind enough to send me a copy of this book as a Yule present. He has been a fan of Orapello and Maguire’s Down at the Crossroads Pagan podcast for several months. While I haven’t yet listened to it, I’m sure I would enjoy it because I certainly enjoyed the ideas and the shared writing style—learned but lively, not pompous nor even overly serious; and poetic, expressive of the wonder and awe Witches feel about the Nameless Art—of Christopher Orapello and Tara-Love Maguire in Besom, Stang & Sword.