I’m going to state my personal bias up front: This is an astonishing modern grimoire written by a personal friend of mine who is an extraordinarily talented Witch, artist, writer, and devotee of the Goddess Hekate: Jeff Cullen. In 2019, he approached me and announced that he was going to be developing the idea for Liber Khthonia into a book. In addition to consulting me in an editorial capacity to discuss the structure and content of the manuscript (I did copyedit the final draft), Jeff honored me greatly, knowing of my reputation in the Chicago Pagan community as a Priestess of Hekate Khthonia, by asking me to write the book’s Foreword! I was thrilled to do so and saw the entire undertaking of the publication of Liber Khthonia as fulfilling a vital need among the Goddess’ ever-growing number of devotees worldwide who have been yearning for just such a book to deepen what can only be called a devotionally anchored Hekatean Tradition of Witchcraft. The book, hot off the presses, is now available in a handsome hardcover edition that truly belongs on the library shelves of every Witch who adores the Queen of Witches!
My time-honored tradition of performing divination to foresee the year ahead with my calendrical/zodiacal houses/clock face spread continues unabated. However, due to being very busy working New Year’s Eve and Day and needing yesterday to rest and decompress, I had to wait until today to actually do my Tarot spread. Come join me on this journey of (self-)discovery, won’t you?
I love being a morning person. I’m not one to sleep in past 6 a.m., even on the weekends, so I’m up and walking my dog, L’il T-Man, very early in the morning. Our first destination is the paupers’ graveyard near my home. It’s a treat to witness the dawn of a new day from the vantage point of standing in one of the commemorative concrete circles, each of which bears bronze plaques that honor a different demographic group buried on the premises (e.g., John Doe Civil War dead, John and Jane Doe victims of the 1871 Chicago Fire, Cook County Asylum for the Insane patients and their children, etc., over 38,000 total bodies).
And in the past 7 years of living in this far Northwest side Chicago neighborhood, the paupers’ graveyard has been my focal point of clean-up efforts every Earth Day. With today being the 50th Anniversary of Earth Day, and it being the Dark of the Moon at the time of this writing (the New Moon at 3° Taurus will occur tonight at 9:25 CDT), I am dedicating my clean-up efforts in a wider context of spiritual service to one of my Patron Deities, the ancient Anatolian-Greek Goddess, Hekate Khthonia (Hekate “From Inside the Earth”).
April is National Poetry Month. As a former college English instructor, a published poet, and an ordained Priestess, I honor the legacies of artists whose works have transcended the boundaries of their artistic mediums, and the vagaries of the times in which they lived, rippling out with profound spiritual force to affect so many people today. American poet Sylvia Plath (1932-1963) is such an artist who has had an incalculable effect upon my developing spiritual consciousness from my adolescence onwards; I go so far as to hail her in the ranks of my Mighty Dead, my spiritual forebears in Witchcraft.
Three years ago, I began to meditate on the idea of Plath’s poetry as a vehicle for encountering Dark Goddess energies and the need to harness those energies in a public Pagan ritual format. I knew I wanted to weave together the strands of my academic analysis of her work (I taught American poetry at the undergraduate level for 3 years as an adjunct English professor on Oahu), my Priestessing skills in generating energy and directing it towards a specific purpose to benefit a group of participants, and my own personal religious devotion to specific Dark Goddesses (e.g., Hekate, Nephthys, Hel). Art served as the medium of inspiration, as it often does: not just Plath’s poetry, but my artistic interpretations through acrylic paintings of some of Plath’s most famous works.
The following chronicles my process and its eventual public ritual outcome: an evening of tribute to Plath’s genius through the ritual encountering of Dark Goddess energy, recitals and discussions of Plath’s poetry, and a shamanic journey facilitated by the use of my 2017 painting An Homage to Sylvia Plath’s ‘The Moon and the Yew Tree’ as a portal into the Otherworld. My goal was to have ritual participants surrender to the “blackness and silence” of the Dark Goddess, as described in Plath’s inimitable voice, and experience the transformative gifts of the Shadow.
Supposedly, here in my home state of Illinois, the governor’s stay-at-home/self-quarantine order designed to curb the spread of COVID-19, an order issued on March 21, will be lifted on April 30: just in time for Beltane/May Day! Continue reading
It isn’t often that celebrated Reclaiming and Feri Tradition Witch, published author, and artist Gede Parma, who also uses the name Fio Aengus Santika, comes to the United States, but when they* do, it’s always a reason to celebrate! I have had the pleasure of sharing heart-centric ritual space in Traditional Witchcraft contexts with Fio during their last two Chicago visits in 2014 and 2017, respectively. They are a highly dynamic ritual facilitator and conductor of spirits. I’ve always left their workshops and delightful time spent socializing feeling elevated and transformed for the better afterwards.
I was ridiculously productive in the sweltering Chicago heat yesterday, making no less than 14 gemstone beaded necklaces in the span of an 8-hour workday; 12 necklaces have since been listed for sale on my Etsy site, JackalMoonDesigns. From devotional pieces intended to honor Deities across a swath of pantheons (Celtic, Kemetic, Hellenic) to my new and expanding line of Spirit Animals to more standard occult fare, there’s truly something for everyone in this diverse lot!
I’ve been a very busy gemstone-beading bee lately: yesterday, in fact, I made 6 devotional gemstone necklaces and uploaded them to my Etsy site, Jackal Moon Designs, and one (my Green Tara devotional piece) sold within minutes of it being advertised on Facebook yesterday afternoon. Here are the remaining five.
It gives me great pleasure to announce, after several days of intensive copy editing and graphical layout, that the 48-page, full-color Winter 2018-2019 issue of Isis-Seshat journal has officially been released! With its theme of “Tending to the Ancestors,” the issue features various Polytheists’, Pagans’, and Witches’ perspectives on the importance of cultivating and maintaining ancestor veneration in their daily devotional practices, how they do it, or why they abstain. Hailing from no less than 3 different continents, this issue’s contributors reflect a world of culturally contextualized traditions, from the Heathenry/Teutonic Polytheism of Northern and Central Europe to West African and Afro-Cuban Diaspora religions. I’m so deeply thankful to the gorgeous and deeply personal original works of art, poetry, and essays that were sent to me as submissions! This issue would not have been possible without so many peoples’ support.