I love being a morning person. I’m not one to sleep in past 6 a.m., even on the weekends, so I’m up and walking my dog, L’il T-Man, very early in the morning. Our first destination is the paupers’ graveyard near my home. It’s a treat to witness the dawn of a new day from the vantage point of standing in one of the commemorative concrete circles, each of which bears bronze plaques that honor a different demographic group buried on the premises (e.g., John Doe Civil War dead, John and Jane Doe victims of the 1871 Chicago Fire, Cook County Asylum for the Insane patients and their children, etc., over 38,000 total bodies).
And in the past 7 years of living in this far Northwest side Chicago neighborhood, the paupers’ graveyard has been my focal point of clean-up efforts every Earth Day. With today being the 50th Anniversary of Earth Day, and it being the Dark of the Moon at the time of this writing (the New Moon at 3° Taurus will occur tonight at 9:25 CDT), I am dedicating my clean-up efforts in a wider context of spiritual service to one of my Patron Deities, the ancient Anatolian-Greek Goddess, Hekate Khthonia (Hekate “From Inside the Earth”).
April is National Poetry Month. As a former college English instructor, a published poet, and an ordained Priestess, I honor the legacies of artists whose works have transcended the boundaries of their artistic mediums, and the vagaries of the times in which they lived, rippling out with profound spiritual force to affect so many people today. American poet Sylvia Plath (1932-1963) is such an artist who has had an incalculable effect upon my developing spiritual consciousness from my adolescence onwards; I go so far as to hail her in the ranks of my Mighty Dead, my spiritual forebears in Witchcraft.
Three years ago, I began to meditate on the idea of Plath’s poetry as a vehicle for encountering Dark Goddess energies and the need to harness those energies in a public Pagan ritual format. I knew I wanted to weave together the strands of my academic analysis of her work (I taught American poetry at the undergraduate level for 3 years as an adjunct English professor on Oahu), my Priestessing skills in generating energy and directing it towards a specific purpose to benefit a group of participants, and my own personal religious devotion to specific Dark Goddesses (e.g., Hekate, Nephthys, Hel). Art served as the medium of inspiration, as it often does: not just Plath’s poetry, but my artistic interpretations through acrylic paintings of some of Plath’s most famous works.
The following chronicles my process and its eventual public ritual outcome: an evening of tribute to Plath’s genius through the ritual encountering of Dark Goddess energy, recitals and discussions of Plath’s poetry, and a shamanic journey facilitated by the use of my 2017 painting An Homage to Sylvia Plath’s ‘The Moon and the Yew Tree’ as a portal into the Otherworld. My goal was to have ritual participants surrender to the “blackness and silence” of the Dark Goddess, as described in Plath’s inimitable voice, and experience the transformative gifts of the Shadow.
Supposedly, here in my home state of Illinois, the governor’s stay-at-home/self-quarantine order designed to curb the spread of COVID-19, an order issued on March 21, will be lifted on April 30: just in time for Beltane/May Day! Continue reading
It isn’t often that celebrated Reclaiming and Feri Tradition Witch, published author, and artist Gede Parma, who also uses the name Fio Aengus Santika, comes to the United States, but when they* do, it’s always a reason to celebrate! I have had the pleasure of sharing heart-centric ritual space in Traditional Witchcraft contexts with Fio during their last two Chicago visits in 2014 and 2017, respectively. They are a highly dynamic ritual facilitator and conductor of spirits. I’ve always left their workshops and delightful time spent socializing feeling elevated and transformed for the better afterwards.
I was ridiculously productive in the sweltering Chicago heat yesterday, making no less than 14 gemstone beaded necklaces in the span of an 8-hour workday; 12 necklaces have since been listed for sale on my Etsy site, JackalMoonDesigns. From devotional pieces intended to honor Deities across a swath of pantheons (Celtic, Kemetic, Hellenic) to my new and expanding line of Spirit Animals to more standard occult fare, there’s truly something for everyone in this diverse lot!
I’ve been a very busy gemstone-beading bee lately: yesterday, in fact, I made 6 devotional gemstone necklaces and uploaded them to my Etsy site, Jackal Moon Designs, and one (my Green Tara devotional piece) sold within minutes of it being advertised on Facebook yesterday afternoon. Here are the remaining five.
It gives me great pleasure to announce, after several days of intensive copy editing and graphical layout, that the 48-page, full-color Winter 2018-2019 issue of Isis-Seshat journal has officially been released! With its theme of “Tending to the Ancestors,” the issue features various Polytheists’, Pagans’, and Witches’ perspectives on the importance of cultivating and maintaining ancestor veneration in their daily devotional practices, how they do it, or why they abstain. Hailing from no less than 3 different continents, this issue’s contributors reflect a world of culturally contextualized traditions, from the Heathenry/Teutonic Polytheism of Northern and Central Europe to West African and Afro-Cuban Diaspora religions. I’m so deeply thankful to the gorgeous and deeply personal original works of art, poetry, and essays that were sent to me as submissions! This issue would not have been possible without so many peoples’ support.
My household in my 1200-square-foot Chicago condo is comprised of myself, four cats (Beowulf, Grendel, Hela, and Máni), and a corn snake named Brimo. I often think about the fact that, were I transported to Early Modern Germany or Scotland, I’d have certainly been executed for the “crime” of Witchcraft because a woman alone as the sovereign of her household was shockingly unacceptable, and my animal companions—deemed devils in animal form according to the superstitions of the time—would have certainly cemented my reputation as a consort of Satan and gotten me strung up on the gallows or worse. I simply could not have been viewed as a childless-by-choice woman who loves her pets as family and treasures each of their unique personalities as gifts.
A wonderful Witch Mother feeds her familiar spirits kept in the cupboard.
Seeking Submissions for the 2018-2019 Winter Issue of Isis-Seshat Journal on the Theme of “Tending to the Ancestors, Propitiating the Dead”—Deadline: Friday, January 18, 2019
“Iba se Eggun.”
(“I pay homage to the spirits of the ancestors.”) — Start of a Yoruba prayer recited in Ifá at the outset of certain rituals
I paid a visit to my Oluwo (Godfather in Ifá) last night and we had a chance to catch up on the whirlwind of life events I’ve been experiencing since my father’s cancer diagnosis two months ago. We consulted Ifá, and the voices of my own Orí (Destiny/True Will) and my Eggun (Ancestors) resonated strongly in the oracle’s spiritual prescriptions. The restless spirits of the dead, teeming hordes of the Eggun Buruku, were also vying for my attention, a fact confirmed by my lived experience of increased spirit activity at both my home and my parents’ house, where I recently (and totally by happenstance, and during a thunderstorm, no less!) made contact with the spirits of a young woman and children that had drowned in the river marking the northernmost boundary of my parents’ property. By their clothing, they appeared to have lived during the mid-nineteenth century. The children (blond-haired fraternal twins aged about seven or eight years old), unrelated to the young woman, were lost and crying out for their parents. The sight of them made my heart ache. But I couldn’t focus on them as I quickly realized the other spirit posed actual danger.