Cue the Norwegian death metal music score and strap on your dildos! It’s time for me to once again lead my popular workshop on the Great God Set and other “Dark” Deities! I’ll be speaking from 7 to 9 tomorrow night at Chicago’s awesome Alchemy Arts Bookstore, located at 1203 W. Bryn Mawr Avenue, where the owner has known me since I was a high school sophomore!
This is an exciting time! In the four years since I have inherited the mantle of Executive Editorship of Isis-Seshat, a quarterly, international journal of The Fellowship of Isis, this has been the favorite theme I’ve devised: Polytheists and Pagans as “People of Prayer.” Why did I choose this theme? Continue reading
I wish there were more overlap between horror film fans and occultists when it comes to giving reviews of spooky movies with strong occult themes. Since Nature abhors a vacuum, I’ll gladly step right in here, folks! While the film I’m reviewing, A Dark Song, came out in 2016 (to much critical acclaim, a feat all the more striking when you consider that this film serves as the directorial debut for Ireland’s Liam Gavin), and is thus not “new,” it is new to me and I only heard of it in the past week because of the wonderfully astute targeted marketing engine that drives Netflix! A Dark Song is a visually lush (absolutely captivating cinematography of Ireland’s brooding soulscapes), suspenseful, taut film (1 hour, 40 minutes long) with stellar acting performances and an unforgettable ending. It’s something that everyone with ceremonial magic ritual experience ought to see: at its core, we’re treated to a shamanic Underworld journey that vindicates so-called “Low” Magic. (If you’re expecting me to spell “magic” with a “k” tacked on at the end, sorry not sorry to disappoint because this is my editorial style!) Continue reading
Seeking Submissions for the 2018 Spring Issue of Isis-Seshat Journal on the Theme of “People of Prayer”–Deadline: Friday, March 30
If meditation is the act of listening to the Divine, prayer is the art of speaking. It’s an under-discussed topic in Polytheistic and theistic Pagan communities, which is unfortunate, as it really is the most basic component of establishing and sustaining a devotional relationship to one’s Patron Deity or multiple Holy Powers. Many people who “come home” to a Pagan spiritual path may have an aversion to prayer because they associate the practice with the undesirable (Abrahamic) religion of their upbringing, but there are ways to overcome the negative perceptions and conditioning related to former religious experiences so that one can have a thriving, judgment- and distraction-free prayer practice that sustains the spirit. Those are the issues I’d like to explore in the Spring 2018 issue of Isis-Seshat journal, a quarterly journal of the worldwide Fellowship of Isis that is open to contributions from all theistic Pagans, Polytheists, animists, shamans, spirit-workers, and related practitioners besides FOI members (clergy and laity). Continue reading
For a long time, it was the conviction of scholars that the fact that one and the same deity might display divergent and sometimes even contradictory qualities could best be explained by assuming that such a god had resulted by a historical process from several simple deities. This train of thought is based on a rationalistic misunderstanding and a failure to appreciate the nature of religious experience. In essence, each important god comprises all possibilities. Gods can not be sorted out like buttons.
–te Velde, Herman. Seth, God of Confusion: A Study of His Role in Egyptian Mythology and Religion. Leiden, The Netherlands: E.J. Brill, 1977. pp.101-102.
Tempest in the Desert: The Ritual
(c) 2015 A. Applegate / aka Katakhanas
Opening Song in Egyptian
Reҳ hᾱᾱiu I rejoice
Ma a-ᾴ paut neteru May I look upon the company of the Gods.
Nuk ut’a tep ta ҳer Rᾱ mena-a nefer I am strong upon the earth before Ra,
Ẋer Ausȧr May my arrival be happy before Osiris
Nuk t’a pet I have sailed over heaven
Nuk ȧȧh I am the moon
Ba-ᾱ pu neteru bai u en neheh My soul is the Gods, who are the Souls of Eternity
Au-ȧ ab kua neteri-kuᾴ I myself am pure, I am mighty
A net’-hra-k Neter Set Ankh Ka Homage to Thee, Set of the Living Ka
A net’-hra-ten nebu heh Homage to Thee, Ye Lords of Eternity
Nuk ab per em seҳet I am the pure one coming forth from the field
Ȧn-na en Ɵen netersenƟer I have brought you incense
[BOW BEFORE SET’S IMAGE; ARMS IN OSIRIS POSE]
Tu a Suti You are Set
Urt-Hekau Mighty One of Words of Power
Ta-k-na uat seś-a em-hetep Grant to me a way that I may pass in peace
Ȧn-na kert ᾱb-kua I am silent, I am pure
Ĺ-nᾱ, ҳerk-k neb Ra I have come to Thee, O my Lord Ra
Reҳ hᾱᾱiu I rejoice
Reҳ hᾱᾱiu I rejoice
[BOW AND SHAKE SISTRUM]
Do you love to sing, especially at this time of year? Or does your system require a little “liquid courage” to belt out those familiar tunes? Perhaps it would help to sing something a bit friendlier to your spiritual sensibilities? To that end, I’ve composed a Heathen Yuletide carol, which is sung to the tune of “The Twelve Days of Christmas.” I dedicate it to my Heathen friends and to the God Bragi, Whom I invoked during my own group’s Winter Solstice celebration last night. If you sing my song or share it, please respect my copyright–that’s all I ask. Oh, and sing it with gusto with some mead, please! Enjoy and have a blessed Yule!
“The Twelve Days of Yuletide: A Heathen Carol”
© Anna Applegate 2017
On the first day of Yuletide, my true love gave to me…
A rune set carved from a pine tree